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Lynch's castle was the historic home of Galway's most powerful family. A magnificent limestone building, it is an excellent example of the Irish Gothic style. Its heavily carved facade bears the arms of Henry VIII. Standing on the corner of Shop Street and Abbeygate Street, Lynch's Castle gives us a rare glimpse of old Galway. The 1651 Pictorial Map of the city shows fourteen lavish merchant homes. Lynch's Castle alone survives intact. Today it houses the AIB bank.
St Nicholas's Church (National Monument), in
Market Street in Galway's central area, was built in the 14th
C. and, although much altered in later centuries, has preserved
the aspect of a medieval parish church. Exploring the Irish countryside
can be a profound experience. The island's past endures, in the
countless ruined churches and crumbling castles that mark the
landscape; and for the thoughtful traveler, those ruins are like
heralds, forever lamenting the greatness of a world that exists
now only in the shadows of history. But in the heart of Galway's
city-centre stands the Collegiate Church of St. Nicholas: a structure
older than half of those ruins, and whose only shadows are parted
by the brilliant colours streaming through her vast stained glass
windows. Notable features are the triple gables of the west front,
the gargoyles (rare in Ireland) and, in the interior, a number
of tombs and a reader's desk.

Galway Cathedral of Our Lady Assumed into Heaven
Perhaps with the hint of a nod to Brunelleschi’s Duomo in Florence,
the large octagonal dome of Galway’s Catholic Cathedral rises above
the roofs of the medieval city. Providing a full side view to those
crossing a bridge over the Corrib, it was the last major stone church
to be built in Ireland, at a time (1957-65) when concrete was already
well established as the main medium of construction. The brainchild
of Bishop Michael Browne, it was intended to be a church which would
be, in his own words, ‘solid, dignified and worthy of Galway’ and
hopefully of the Good Lord as well. Dedicated to Our Lady Assumed
into Heaven and St. Nicholas, it was designed by J.J. Robinson, over
whose shoulder the bishop doubtless looked at every single detail.